Skip to main content
Striscione blu con i loghi di Unione Europea, Ministero Università e Ricerca, PNRR, UniCassino, Sapienza e testo correlato.

The abbots of Montecassino: Promoters of monastic publishing

The miniatures tell the story of Cassinese art. In the so-called ‘Dedication Scenes’, the great abbots who built churches, commissioned mosaics, frescoes, icons and goldsmithing, and had the codices used for liturgical celebrations, for the school and for the monastery library copied and decorated, dedicating constant care to the scriptorium, are portrayed as donors.

The first to be portrayed as a patron of monastic publishing was John I (915-934). He had a new manuscript of the ‘Rule’ (Cod. 175) produced. After the Saracens destroyed the monastery in 883, the monks took refuge first in Teano and then in Capua. They managed to save and take with them the original manuscript of the ‘Rule’, which was lost in a fire in Teano. The volume depicts a particularly significant scene. The protagonist is John I, who gives the manuscript to St. Benedict. This gesture symbolises the devotion of the monastic community to the founder of the Order at a time of great struggle and distance from the mother house

Miniatura del Cod. 175 che raffigura l’abate Benedetto con un monaco alle sue spalle mentre consegna un documento a un altro religioso, davanti a un’architettura con archi e colonne.

Cod. 175, p. 2

After John, other abbots had themselves depicted in the act of dedicating the volume to St. Benedict, such as Theobald (1022-1035) in Cod. 73, which contains the text of Gregory the Great’s ‘Moralia in Iob’. The scene, surrounded by a finely decorated frame, is intended to celebrate his commitment to expanding the monastery’s library. *2

This tradition continued with Desiderius (1058-1086).

 

Miniatura del Cod. 73 che raffigura due monaci: uno seduto con aureola mentre tiene un libro aperto, l’altro in piedi nell’atto di offrirgli un volume decorato, su fondo blu e con cornice ornamentale.

Cod. 73, p. IV